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Are We Living in a Hologram? with Tattoo Artist, Joe Munroe #22 – Transcript
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- Tattoo artist Joe Munroe discusses his perspective that reality is a holographic construct built on a toroidal field and basic geometric laws.
- Joe Munroe explains that the sun and moon act as masculine and feminine opposing charges within a toroidal field acting like a giant cosmic clock.
- Joe Munroe explains his view on the swastika as an ancient sacred symbol representing the masculine positive charge rather than its modern western association.
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God for you isn't even a magical dude in the sky that's an algorithm you don't even spell the word belief without the word lie if you believe something it's privy to be false let's say the Earth's flat it's not completely flat is it a square is it a rectangle is it doesn't exist objectively it's a holographic construct that builds itself as we interact with it there's no such thing as [ __ ] satellites what goes up must come down and the sky is the limit when you burn an incense stick why does the
smoke go up if there is a force putting everything down how many [ __ ] kilograms of water is in the ocean but a butterfly or us that are made of oh no 70 90 water we can lift our feet up we can jump you've got a what I would see as a swastika tattooed or yeah use a swastika is the correct term for it moon landing
I've been excited about this one because obviously we keep bumping into each other I mean I've known you for years and I've met your brother and stuff and that we've we keep bumping into children having these really mad conversations about the Earth and energy and yeah that I think is [ __ ] so I thought you know what let's do it let's just talk about it on here because I think it's super interesting and you've got to listen to other opinions in life I think yeah loads of people have different theories different
opinions you don't have to necessarily Believe it or buy into it no I just like absorbing all that information from loads of different people yeah cool and making my own mind up yeah hopefully yeah yeah so let's see by the end if I leave here um submit you're a tattoo artist yeah from Bournemouth as I know um I'm not going to go too far back but obviously I do remember you pre any tattoos pre any like mad piercings all this kind of stuff anyone
that's listening and not watching um real quickly how did you go from that person to this person um work just work yeah my old man was tattooed when I was a kid like he was considered heavily tattooed I'd sleeves and a lot of stuff on him so I had an interest in it and then at 17 years old after my birthday took me from my first tattoo I was always artistic as a kid anyway my mum was artistic she's like you come home from school and she'd painted the rooms with murals and stuff
so it always done art and stuff and then I when I left school we'd set up a job there was a construction company working at the school Rossmore Community College at the time and we managed to get I managed to land a job with wood mace which is the company that would work in the groundworks on there so I literally just had the day everyone started the school holidays I started work and it was like a short sharp shock of getting paid four pound ten an hour on emergency
tax waking up at 6am to get the site for 7am to dig [ __ ] holes and break bits of concrete and stuff and it was like whoa pull on like it hit me heavier and uh in the meantime of doing that there's a guy Simon Bennett that was a friend I'd met through Fitness first gym yeah he had a small tattoo supply company and um I just because I was artisting and stuff and got into getting the tattoos I just thought I'll just get some kit and just have a go just start
[ __ ] about and just see what happens as a hobby did you start on yourself uh actually ironically [ __ ] tattoos right as a [ __ ] it's ironic now as a vegan but pigskin my dad went to The Butchers and got married a pigskin that was [ __ ] disgusting yeah but and it's not very good to be honest like now years later you're better off tattooing a piece of fruit like a melon or an orange or yeah yeah it's a lot better the Skin's a lot better on it but at the time where we were at with it was that and uh I had friends I was only
like 17 so I had friends that were up for free tattoo work so I just mullered half of Kent Welsh 16 17 18 like just loads before I was like 21. to be honest that's why most of my stuff's blacks are just covered over old crap it is mad it's a one-way Journey for me though for anyone that's
listening and not watching Joe's covered like pretty much his head his face his neck I mean you only really got like your eyes and your Tash yeah it's clear any any thoughts of covering those as well I don't know I always like the idea of still having a little bit of a face in the middle but potentially when I get older I might end up doing it yeah I do sometimes think about it I think what I'll probably do is uh build through this the way I've had it attaching my face at 21. which was uh really upset
with parents yeah I bet yeah but um so it's gone like where it's age now I'm half thinking I'll go through the middle of it with white ink and then like you can um once once you've had a period of time or something aging like you can put black on top of old black and it will stay I mean the New Black will stay darker so I'm thinking of getting like a fine needle and then like underlining some of the squares and make it kind of just yeah just to keep the same thing not go too much more in but kind of like enhance it maybe but I don't know I've
still got run into our skin so you're gonna have to go back over the top aren't you yeah yeah that's pretty much where I'm at with it I mean it'd be hard to tell many tattoos you've got right one one yeah all Linked UP yeah that's all your chest and backs all done yeah everything yeah I've got half a ball bag and like two in my inside of my thighs to go really to be honest do you ever regret having so many tattoos if I do I cover them over is that your is that your way of dealing with them sometimes I'll be like I mean
I'd there's I've had there's things like tattoo on myself at a period in time when you think something's relevant that's what I did with mine yeah and then I've been traveling and you have time on your own when you're not speaking to people for days and days and then sort of look at something you're like what the [ __ ] was I yet why I've ever done that Joe that no longer represents me and then at that point I have to go straight away and black it yeah or like I had this thing got to a level of like coverage where photographers would just want to
take pictures of you and they'd always um initially I was like oh yeah I'm happy to help but like do whatever and I learned quickly that that the photographer has their vision of what they want a photo to be and you end up doing this thing for free yeah and you end up represented as like with their Vision superimposed on you you look so they're like if I don't [ __ ] say that no no that's cool um you uh every time that would happen if
someone like got me to take my top off and [ __ ] have have a picture taken I'd like right I need to go now and just change it that version of me now needs to just not be that what I mean and they're using it for their narrative aren't they it might not be why you've had that tattoo I ended up at one point with like some fluffy Russian hat on with a string vest holding a shotgun in the forest what the [ __ ] is going on I mean if you Google my name it'll come up
there's so many bad pictures of me on Google that is funny man mate I'm going to touch on one tattoo in particular yeah you know it's coming so you've got a what I would see as a swastika tattooed on yeah it is the correct term for it one sex or the camera can see it okay cool I've got them on my hands I've got them all over my guts my whole body everywhere yeah I really rate the symbol really and what
it stands for yeah okay so let's find out what it stands for in your opinion okay it's not my opinion it's exactly yeah so it's if you go anywhere if you go to Japan the temples are marked on the maps with swastikas so there'll be a public map of street map and there's swastik is all over the map you know what the [ __ ] really and you go to them and they're temples yeah in India you go out in the morning the women are drawing the swastikas on the floor with chalk every
Temple you go to massive swastika it's a really really sacred special symbol that's been completely bastardized by this German politics yeah I mean and it's like I mean my initial thing what does it stand for like is it what's it meaning the basic movement of energy so it's going to go into what we're talking about here with the Flat Earth crap and everything else so there's a but the premise of my
argument with all of this stuff is it's a basic geometric law that underlines all of reality that can be observed everywhere and cannot be denied by anybody yeah okay and that basic thing is a Taurus field yeah which is like you know what that is a donut yeah yeah so within that basic geometric like you can observe that you cut an apple open Taurus field you cut the [ __ ] orange open Taurus filled the shaft of a car
the four wheels every number on a digital clock is within the number eight you know I mean your body is your torso we're talking to each other the truth is the tall roof and that I'm saying she's a tick tock yes so it's a basic geometric form that underlines everything it cannot be denied and um within that field there's there's three aspects to it yeah it's the Holy Trinity you've got
masculine positive feminine negative and then neutral yeah the right tone in swastika represents the masculine charge positive it's hot radiant acidic outward yeah the left tennis sticker represents the feminine charge with negativity which is absorbent cold left turning yeah yeah alkaline yeah so those two vortices
yeah opposing vortices coexist within the toroidal field yeah within the donut because they're innately opposed yeah they're they're basically opposites yeah as they as they co-exist they rub against each other and create friction yeah which creates the algorithm of God yeah and God stands for I know you can stand for a lot of different things yeah like someone said The Great Outdoors which I thought was
amazing so I totally love that and nature has got it yeah but in in this uh sense it's generation operation destruction generation operation destruction yeah so reality is a sine wave you know the Christian style you're born into sin yeah you're born into sign you're born to the sine wave yeah everything is a sine wave so that you you know like the heart monitor picks at the same way that your iPhone when it's playing the music you can see
the little sideways everything you you are the same way if you're born you live you die I mean the phone is manufactured used and then breaks like everything in this reality conforms to that basic algorithm yeah so it it so God for you isn't even a magical dude in the sky that's an algorithm that it's absolute divinity God is the algorithm that absolute
Divinity uses to express creativity and individuality yeah so initially you've got like just Divine being just it doesn't have any form shape or [ __ ] all it just is yeah yeah and then that that being at some point has a desire to know itself or it's like it just it recognizes itself the only reference point it has is itself so the only thing it can do
rationally logically is create what it's not if you've got no reference point and the reference point is just one number one the only thing it can do is is make the opposite of that so I mean if this is what I am this is what I'm not do I mean so then once you've got these two points they interact with each other and then create all of this so that like the Taurus field is kind of like the two energy patterns turn into positive and
negative and then because they're they're neatly opposed they rub against each other which generates the um the sine wave which ultimately generates and creates this whole holographic reality that we we exist in so you know the quantum physics thing they go on about like wave particle duality bollocks the it's a waveform everything's Sono luminescence yeah sound and light yep that's it the more you zoom into things
it just it breaks up it's a holographic um experience and you know reflexology shows that yeah so every in the Hologram you can cut like if you have a holographic pitch you cut it in two you don't have two halves of a picture you have two full pitches you cut into four you have four full pictures yeah every part contains all the information of the whole and like reflexology you can like squeeze certain parts of your hand or certain parts of your ear and that will affect other parts of your body like iridology is another science where you
can look into the human eye they've mapped it as an exact science and you can tell exactly what's up with somebody's body based on the state of their Iris because every organ has got a nerve relevant to every other organ so I mean so it's like um that hologram living in this hologram things quite interesting just on the T-shirt yeah another day in the Holograms that's what it is the human hologram like this so so are you trying to say that I'm not really here yeah you're there yeah 100
but the experience how it comes about is holographic yeah so it's like no it's not when people think of the simulation hologram thing they think like some evil entities created a simulation now we're all locked in here like the Matrix no like you Andrew take talking about that yeah yeah I mean the reality ultimately is one everything is is one Divine intelligence pattern experience in itself subjectively so like this the